Channel 4 is a British public service broadcaster and has
been on screens since 1982. It was created to provide a fourth TV service to
the UK to add to the list of the channels available at the time, which
consisted of BBC’s two channels and ITV. Since then it has massively expanded
and has a huge variety of shows and programs available to watch on Channel 4.
This first ident is from 2002, which is why it is not as
high quality as the others. The ident begins with a blue screen with what
appears to be ripples of some sort. As you go on, you see the line shake, and
this leads me to believe it is a sound wave. It moved due to the sound in the
background, and if you listen closely you can hear it. As soon as the ident
begins you can hear the voice-over, which sounds very informative and is
talking about what will be coming to the channel in the coming week as well as
what will be shown now. The lines keep coming from the left and are all
different sizes and widths. You can hear the slight glitch sounds that were put
there so the lines wobbling would make sense. You then hear a number of beats, which
are part of a song, and as soon as this is heard, the lines shake much more and
instantly the Channel 4 logo glitches into the ident, which is in sync with the
beat. The words underneath the logo say ‘channel4.com’ and these words form
letter by letter, but at random. While the beat keeps going on, the Channel 4
logo moves from side to side, giving it an edgy glitch look. The blue in the
background is constantly changing in how dark it is, and goes from very light
to dark blue. This fluctuates over the course of the ident.
This ident is from 2007 and caught my eye instantly as I was
looking for idents to analyse. I was intrigued that a 30 second video looked
like it took no time at all, whereas another ident was 28 seconds long and
looked much longer than this. I think the camera movement changes between fast
and slow movement, which is why I think it is so good. The first thing you see
is a trailer hooked up to a pick-up truck and instantly you can see all these
washed out colours on the screen. They are really light coloured and aren’t too
saturated. You then see a tumbleweed
roll out onto the plain, where the camera then follows its movement. In the
next few seconds you can see a car next to a fuel pump. The car is a muscle
car, and as the place is surrounded by pick-up trucks, it is clear the producer
wanted you to think of the American desert town, or something like an old style
1960’s scene. The tumbleweed keeps going through the sand, while the camera
goes all the way round and loses track of the tumbleweed, then refocuses on the
tumbleweed, so it is still in frame. At this point, about 14 seconds into the
video, you start to see a glimpse of what’s to come. You can see things in the
air held up by sticks like a billboard. They are very bright and catch your
attention, as they are the brightest things there. They also have a slight glow
to them, which also makes it easier to see. The camera keeps going round, goes
past the tow truck and this is where you get a full look at what will be seen.
You can see the diner, with its neon sign and its warm glow. You can also see
the old style American cars parked out front to indicate people are in this
small cosy diner. At this point the tumbleweed is still in frame, but as you
progress a few seconds you can see it go towards the camera and disappear. As
it does this, you look up and you can see the magnificent creation that all the
separate pieces have created. At 23 seconds you can see the Channel 4 logo made
out of each glowing neon sign. The camera does not stop and continues to go to
the left, meaning that the whole combination of signs turning into a 4 is only
visible for a second or two. The camera then continues to move away from the
sign, and at this point you can see the perspective of the side view. The audio
for this ident was perfect and at the beginning of the ident you can hear some
wind and some other natural noises, but as the music kicks in and the ident
starts coming together the whole atmosphere feels perfect.
This ident is to promote music on 4, and is from 2015.
Instantly you can see this is computer generated and is 3D motion graphics,
which immerses you into the ident. You begin with many different shapes, as the
camera is zooming out. The shadows and reflections have been made very well,
and the centre of the shapes seems to have a purple tinge to them. The ident
takes you to another shot, where either the camera or the shape moves back into
itself. There are rectangular pieces within a cluster, and these seem to be growing
separately. You then see a camera shot of the whole object zoomed out, and
everything is still moving. An orange line which looks to be in the style of
low poly flashes in from the left to right on screen and looks like it is
wrapping around the object. The same thing is happening with a blue line on the
other side of the object simultaneously. These two elements alone catch your
attention very well due to the yellow and blue on white contrast. The camera
moves again and you see a blurred out deconstructed logo in the making while the
blue and yellow lines keep wrapping the camera. You can just about get a
glimpse of the word ‘music’ while the blue low poly line goes past the camera.
The lines remind me of fish in a bowl, as they move very fast and have the same
very basic outline of a fish swimming. The creator has added a natural feel to
the lines to make them look very entertaining. The camera then cuts to another
shot and at the same time the deconstructed 4 logo morphs from very close to
the camera to move backwards, while being swarmed by the lines. You can see the
logo recreated in 3D design and looks very well made. I especially like the way
the producer has made many pieces to create the 4 logo, which is essentially all
their other idents. As it zooms out, the words ‘music on’ are on the left of
the logo, indicating the music on 4 and is promoting this. The music for this
ident has been picked very well, and it also has a voice-over. As soon as the
ident begins the voice-over begins, talking about what’s to come later and what
will be showing now. As the first part of the 3D object changes angle, you can
really tell the music in the background, as it has a much higher pitch in that
part. The music fades in really well
when the voice-over finishes.
These idents do not really have a lot on common, which
explains just how varied Channel 4 is with their idents and ideas. Two of the
idents were motion design whereas the second one was pure footage, but that is
not to say Channel 4 does not feature many footage-only idents. There is one
consistency however; all these idents are designed in colours and ways to
capture your attention as soon as it begins. The first one is very bright so
your eyes will see the brightest thing on the screen and hear the voiceover.
The second ident has catchy music and a great purple sky in the beginning, then
when the music kicks in you can see the brightness of the signs, which is striking
to the eye. The third ident begins with a voiceover but is quite bright, along
with the type of music that stops and starts, which catches a viewer’s
attention because usual TV programs or adverts do not use this kind of music. The
target audience is for people in their teens or over, which is the reason for more
urban/catchy music. The way the movement is captured is really fascinating, as
it varies quite often. In the first ident the channel 4 logo moved very
slightly and the lines were wavy, but in the second one the camera movement was
very clean and tidy and worked in all the right places. The third one had
different camera shots when there needed to be and had fluid motion movement.
There weren’t many examples of typography in the first and the last ident, but
in the second one there were multiple signs with different words on them each
time, which put out a really futuristic effect. It wasn’t really anything to do
with the channel and more to do with the context of the ident but I still think
it suited well.
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